2
Apr

House/Electronic, Jazz/Blues/Gospel, Remix

New Music: Little Dragon

dragon.jpg

Little Dragon - Test

Little Dragon - Constant Surprises

So the other day I got this weird email from someone with the title, “Good R&B Music” and a link to the MySpace page for Little Dragon. Of course, I always get random emails like this, but damn is this not one of the best things I’ve heard so far in 2008.

Little Dragon hails from Sweden and rests in that area of music called unclassifiable. The only thing I can describe it as is a mix of soulful R&B as well as jazz, downtempo, and some trip-hop elements. Led by the ultra soulful styling of Japanese songstress Yukimi Nagano (don’t tell Estelle) and indie folk rocker Jose Gonzales, Little Dragon is probably one of the most soulful and soothing downtempo album since Zero 7 dropped Simple Things in 2001.

If you’re a fan of J*Davey, and I know most of y’all are, then definitely check this one out. The group is making a short swing through the West Coast right now and will be playing the Roxy in LA tomorrow night. You can also cop their self titled album, on Amazon (import) and iTunes.

myspace.com/yourlittledragon


25
Mar

UK Sounds

Album Preview: Portishead - Third

portishead_500.jpg

Is Portishead hip-hop?

That was a topic of a spirited online discussion I had with my friend a few months back. My friend argued no. I said yes.

It it hip-hop in a literal sense. Probably not. The don’t sound like anything close to hip-hop, and they definitely don’t look it. But they take the basis hip-hop (sampling) redefined the concept.

From Pete Rock to the Native Tongues, hip-hop’s golden age provided the basis of what trip-hop was going to become. Growing up in Southwest England, the guys who would eventually form Portishead, Tricky, and Massive Attack took their love of such acts as Public Enemy and formed it in their own way. Trip-hop was born off the back of late 80s and early 90s hip-hop.

But what happens now, when hip-hop sounds nothing like it once did back in the day?

Well, for their third album, aptly titled…Third, the group pretty much largely abandons the beats for guitars. What results is an album which sounds more like Radiohead rather than its trip-hop brethren. This might upset some fans, since Portishead’s Geoff Barrow is considered one of the best samplers out there (he created his own orchestral score for the sole purpose of sampling it later), but surprisingly the group continues to maintain their dynamic and sound. The essence of Portishead is lead singer Beth Gibbons’ haunting (and some say depressing) voice, which has remained unchanged.

I’m not going to give a definitive rating of Third until I have a physical copy sitting in front of me, but the unmastered leak will reassure any fan that the group has still “got it,” after a 10 year hiatus between albums.

Third drops on April 28th. The first single, “Machine Gun” is out now. (New fans–don’t judge. This is probably going to the weakest song on the album.)


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